42 pages • 1 hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Background
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Content Warning: This section includes depictions of anti-Indigenous oppression, settler colonialism, graphic violence, murder, and death. It quotes pejorative and dated language to describe Indigenous people used in the source material.
The story’s time and place create a harsh setting. The Fowler family lives in a cabin on their farm, so they’re not near people. When they want to socialize or need to buy things, they must take their wagon and go into town. The isolation emphasizes needing others and self-reliance to survive. Since there aren’t many people in the Fowlers’ daily lives, they rely on the people they have. When the story starts, Pa is missing, so Nathan and Molly utilize each other. Together, they maintain the farm and home. Nathan says, “We fed the animals, we fetched the water, we did everything we knew to keep things right” (5). Ezra also becomes a person whom Nathan and Molly depend on. He takes them to Pa, and he also rescues Pa and helps his leg heal. Without Ezra, it’s plausible that Pa would have died, and Nathan and Molly would have been on their own.
Ezra and Nathan exemplify self-reliance, as the story showcases how they can survive on their own. Ezra doesn’t have a tongue, and he’s experienced tragedy due to the death of his pregnant Shawnee wife, Gives-light-as-she-walks, but Ezra preserves his dignity and his Shawnee way of life. When Weasel kidnaps Nathan, Nathan must figure out a way to escape. Nathan says, “I didn’t aim to wait around to have my throat cut […] But I felt as helpless as a pig led to slaughter, hog-tied as I was on the floor” (55). Nathan isn’t helpless. He exploits Weasel’s careless knots, seizes the gun, and rides away on the horse. Through mindfulness, resourcefulness, and courage, Ezra and Nathan can rely on themselves.
However, the story suggests that self-reliance has its limits. Nathan carries the burden of feeling like he must kill Weasel, and Molly detects that Ezra doesn’t want to be alone. Nathan starts to mature after Weasel dies, and he realizes that it’s not up to him to eradicate the pain in the world. Ezra concedes that he’s lonely, and he journeys to Kansas to be with the Shawnees. Weasel also serves as a warning against excessive self-reliance. Portrayed as an inhuman villain, Weasel has no connection with the people of Ohio. His isolation feeds him. There’s no one to help him heal the bullet wound in his leg, and there’s nobody around to get him food or water. Weasel’s grizzly death indicates that, at some point, a person will need someone else to help them. His lack of communal support is a direct result of his brutal, violent ways toward both Indigenous people and white settlers.
Nathan and his family exist during a period when the US government openly displaces, oppresses, and kills Indigenous people. Their reaction to the violence is fraught, as it causes anxiety or stress. They worry about the treatment of the Shawnees, but, at the same time, they realize that they benefit from the deadly oppression and violence enacted toward Indigenous residents. Pa sums up his bluntly pragmatic approach, stating, “We didn’t think much about the Shawnees and how they got pushed out to make room for us. It was just the way of things” (79). Pa follows the norms because their family gains land from them, demonstrating how white settlers often accepted the deadly status quo and embodied a fraught moral compass as a result.
Many people initially celebrated Weasel for perpetuating the government’s lethal policies. Pa says, “Weasel was a big hero then to a lot of folks. But that didn’t last” (84). Once Weasel started assaulting the “folks,” they went from lionizing him to fearing him, as they didn’t want to be subject to his deadly violence. The Fowlers never praised Weasel in the first place, and they aligned themselves with Ezra and Gives-light-as-she-walks by giving them a ride in their wagon. They understood that they couldn’t stop the violent policies, which were systemized by the US government, but they were aware that they didn’t have to perpetuate them in their actions. Pa exposes the bigoted dynamic when he tells Nathan, “[A]s long as folks thought of the Shawnees as savages, they didn’t have to think of them as people” (41). Nathan, Molly, Pa, and Mama don’t think of the Shawnees as less than human, and their link to Ezra and Gives-light-as-she-walks puts their principles into practice.
In Weasel, DeFelice shows that evil is not something exceptional or monstrous but rather an everyday occurrence carried out by ordinary people who, together, perpetuate systemic oppression. The characters tend to portray Weasel as a purveyor of otherworldly evil. Nathan says, “The children whispered to us strange tales about Weasel” (15). They whisper because they’re afraid that they’ll provoke the demonic Weasel if they speak loudly. Though Weasel is a villain, he’s not extraordinary. He’s a human who did what countless people did during the forced displacement, oppression, and murder of Indigenous communities—he brought suffering into the world. Nathan realizes Weasel’s banality when he states, “[E]ven if Weasel’s not around, there’s likely to be someone else like him or some other kind of meanness and sorrow and sadness” (119). Nathan learns that brutality is pervasive: It’s not the product of one person but several. He comes to terms with the widespread nature of abhorrent behavior and realizes that constantly worrying about wrongdoing won’t make it vanish, nor will it help him grow.
The fraught depiction of right and wrong links to the theme of accepting pain and embracing positivity. After Nathan escapes from Weasel, he believes that he should have killed him. Nathan details his feelings:
I felt ashamed. I had the chance to kill Weasel and didn’t. Why didn’t you just pull the trigger? I asked myself over and over again. I could have come back and told Ezra, I got revenge for your wife and your baby. I could have told Pa and Molly, Weasel won’t be hurting folks anymore. I could have rescued Crabby, too. Instead, all I did was save my own skin (67).
Nathan’s quest for “revenge” preoccupies him, and he spends most of the story dwelling on Weasel and thinking about killing him. The presence of Weasel equals an egregious wrong, and Nathan can’t engage with the positive aspects of the world until he extinguishes Weasel. Pa, Molly, and Ezra move on from Weasel’s violence. They come to terms with his existence, but they don’t let it stop them from joking and laughing. Pa tells Nathan that brooding over a person like Weasel can turn him into something worse, but Nathan isn’t ready to heed Pa’s advice. Nathan doesn’t become something worse than Weasel, but his infatuation freezes him and prevents his personal development.
After Weasel’s death, Pa’s advice proves accurate. Pa tells Nathan that killing Weasel won’t change him, and Nathan feels the same way. Nathan says, “Pa was right. It didn’t make the things Weasel had done go away, or the hurt of them” (104). What pushes Nathan out of his rut is other people and a different setting. The spring weather and the dance and fiddle contest transform his mood. At the dance and fiddle contest, Nathan realizes, “I hadn’t thought about Weasel once, all day long” (114). The fresh context dislodges Nathan’s stubborn thinking and reveals that he can join the good aspects of life and tolerate its inherent pain.
Nathan’s journey toward accepting the harshness of life and embracing its constructive elements contributes to the theme of Needing Others and Self-Reliance to Survive. Nathan has people—namely, his Pa—telling him that he can’t eradicate hurt and that he needs to move on, but the words don’t help. Nathan must realize this truth on his own. Weasel is in his head, so he must be the one who stops dwelling on Weasel, and by the conclusion of Chapter 18, he does.
Plus, gain access to 9,150+ more expert-written Study Guides.
Including features: