53 pages 1 hour read

The Five Year Lie

Fiction | Novel | Adult | Published in 2024

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Symbols & Motifs

William Shakespeare’s Hamlet

Content Warning: This section of the guide includes discussion of death, graphic violence, and death by suicide.

In William Shakespeare’s tragic play Hamlet (1609), the villain is Claudius, a man who kills his brother to inherit the throne and then marries his brother’s widow. In the novel, as a joke, Uncle Ray alludes twice to the fact that in marrying Ariel’s mother and taking over the family company after his brother Edward’s ostensible death by suicide, he is reenacting the play.

However, Ray’s offhandedness is misdirection: Ray really is mirroring many of Claudius’s actions. Claudius’s opening speech attempts to get Hamlet on his side by implying that Hamlet should think of him as a father. Similarly, Ray’s kindness and public-facing altruism lull Ariel and her mother into a false sense of security that Ray has their best interests at heart. Just as Claudius quickly seduces Hamlet’s mother, Gertrude, so too does Ray have an affair with Ariel’s mother. Unlike the rest of the novel’s characters, Ariel’s mother is never named—identified only by her relationships to Ariel, Ray, and Edward, she is diminished to the status of an object. Finally, the ghost of Hamlet’s father declares that Claudius poisoned him. Ray also kills Edward through a kind of poisoning—switching out Edward’s medication for a lethal drug overdose.

While Ray resembles Claudius, Ariel has less in common with Hamlet himself. Although both are activated by a messenger from the dead—in the play, the ghost of Hamlet’s dead father, and in the novel, a text message from the ostensibly dead Jay—Hamlet is a famously indecisive character, whose attempts to uncover Claudius’s conspiracy are half-hearted, but Ariel takes an active role in uncovering the truth around her.

Toy Story and Buzz Lightyear

The fictional character of Buzz Lightyear, from the Pixar animated film Toy Story (1995), is a symbol and a motif that refers to Jay Marker. The novel uses cultural references to the movie as characterization and to advance the plot. Jay, who has a tattoo of the animated character, explains to Ariel that he got it as a joke with his Army friend Woody—whose name references another Toy Story character—after they were left behind on a training mission like the toys in the movie.

This detail provides vital information for Ariel’s escape, as she and Buzz take a bus to the small town where Jay told her Woody lives. For her, the in-joke tattoo represents the close nature of Jay and Woody’s relationship—Ariel knows that even if Jay is dead, Woody will help her and her son.

The tattoo also reflects Jay’s personality. Like Buzz Lightyear, a heroic toy in the movie, Jay is a war veteran who saved a child at the cost of losing his leg. At the same time, thinking of himself as a child’s plaything that has an overinflated sense of self shows Jay’s sense of humor: He does not take himself seriously. This is also apparent from the fact that Jay’s dog is named Buster, after the slinky-dog character from Toy Story.

Jay’s identification with the playful and adventurous mood of Toy Story contrasts with Ray’s self-aware references to Hamlet; where Ray feels kinship with Shakespeare’s tale of dark novel of family betrayal, abandonment, and violence, Jay shares qualities with an upbeat, positive children’s film, foreshadowing the novel’s happy ending.

Ariel’s Knife

The knife functions as foreshadowing and as a symbol for Ariel’s determination to reunite with Jay. Ariel’s knife is introduced in the novel by Maddy, an antagonistic mother at Buzz’s preschool, who mentions the knife so many times that it becomes a funny annoyance for Ariel. In this instance, the knife represents Ariel’s feelings of inadequacy as Buzz’s single mother, especially when compared to the much more together-seeming Maddy.

However, at the climax of the novel, the knife becomes an instrument of action and competence. After Ariel has overcome her relative passivity through her investigation and has managed to find Jay, she uses the knife to end Bryan Zarkey’s attack—unexpectedly emerging as the hero of the fight. Ariel’s access to the knife at the crucial moment marks this object as a version of “Chekov’s gun,” a literary rule that an item introduced as insignificant in the beginning of a narrative will achieve prominence and importance at the end. Stabbing Bryan transforms the knife into the tool of a capable protector. Knowing this, Ariel is able to turn Maddy’s passive aggression into a joke for readers: When Maddy again brings up the knife, Ariel gives a verbal wink by pointing out that it came in handy and was “a lifesaver” (407).

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