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Mentioned in the poem’s title and featured in the title of the larger poetry collection, the month of April is the central symbol of “Song of a Second April.” As the first full month of spring, April connotes new beginnings and a return to life after a cold winter. Accordingly, Millay describes the “mud” and “dingy snow” (Line 4) left behind as the snow gradually melts in the warmer weather of spring. She also references the return of animals like butterflies (Line 6) and woodpeckers (Line 10), as well as the revival of perennial plants like hepaticas (Line 5). Throughout the poem, Millay uses April as a symbol of opportunity for life to move on and continue, something the speaker cannot do.
Integral to Millay’s portrayal of April are the symbols of butterflies and flowers, which both represent the natural world’s ability to adapt and persist. Despite the mud, snow, (Line 4) and cold, the hepaticas “[a]re here again” (Line 6) once more. These perennial flowers survive the winter and bloom in spring, much to the delight of human observers (Line 5). Though they might suffer during the winter, the flowers persist and return just as they always were. Similarly, Millay evokes butterflies as an image of spring. Like the hepaticas, the butterflies return in April, but beyond the persistence the flowers represent, the butterflies also represent adaptability. Butterflies are caterpillars that have successfully cocooned and undergone metamorphosis, symbolizing the ability to move on and reinvent oneself despite significant changes of life. Millay uses the hepaticas and butterflies to juxtapose the idea of life persisting through trials and change with the speaker’s stagnant mental state.
One of the animals Millay mentions in her idyllic depiction of nature is the woodpecker. The speaker notes how, “[i]n orchards near and far away” (Line 9), the “grey wood-pecker taps and bores” (Line 10). While this reference to the woodpecker contributes to the poem’s overall sense of nature coming alive, the sounds of the woodpecker possibly also symbolize the poem’s bleaker undertones. The speaker hears the “hammering” (Line 7) sounds of people working “all day” (Line 7) long. Mixed in with this loud hammering is the sound of a woodpecker drilling into trees. The woodpecker’s constant, noisy “taps” and its act of piercing the tree might hint at the speaker’s own nagging regrets that continually haunt the speaker’s thoughts.
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By Edna St. Vincent Millay