57 pages • 1 hour read
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Content Warning: This section of the guide includes discussion of death and religious discrimination.
Safe Area Goražde explores the Bosnian War. The conflict began in 1992 after the dissolution of modern Yugoslavia in the years after the death of its leader Josep “Tito” Broz. Tito had kept ethno-nationalist fervor at a minimum, but in the power vacuum that opened after his passing, ethnic tensions in the region worsened. In the early 1990s, Bosnia and Herzegovina began to experience rising divisions between the Muslims, Croats, and Serbs.
The Serbs, supported by Serbia, began to plan for war. They created what were called “Serb Autonomous Regions” and began to stockpile arms. In areas such as eastern Bosnia, where Goražde is located, the local population became divided. When fighting broke out between Bosnian Serbs and Bosnian Muslims and Croats, eastern Bosnia became especially vulnerable. Goražde contained a large Muslim population but was quickly surrounded by Serb forces, turning the town into an enclave. The UN offered aid and declared areas like Goražde “safe areas,” but their efforts did not succeed. Srebrenica was eventually overrun and subject to brutal ethnic cleansing. Throughout the war, Goražde became the destination for many refugees while constantly fighting against Serb forces. Peace talks only began after NATO committed to airstrikes against the Serbs.
In 1995, a ceasefire was declared, and an agreement was eventually reached. The new map of Bosnia created two separate entities within the country, one for Serbs and one for Bosnian Muslims. Though Goražde largely fell into Serbian territory, a small corridor was carved into Srpska territory to keep the town connected to Bosnia. In the aftermath of the war, the international community prosecuted some of the major figures whom Sacco includes in Safe Area Goražde, such as Bosnian Serb leader Radovan Karadžić, Serbian president Slobodan Milošević, and Bosnian Serb commander Ratko Mladić, for ethnic cleansing and other war crimes.
Graphic journalism combines the visual medium of graphic novels and cartoons with the reporting of typical journalism. Sacco is known for his autobiographical narratives and interest in war zones. Sacco uses his own experiences and those of the people he interviews to illuminate the human cost of conflicts, such as the Bosnian War in Safe Area Goražde. Sacco’s work resembles other graphic novels that seek to understand traumatic historical events, such as Art Spiegelman’s exploration of the Holocaust in Maus.
In graphic journalism, the art is not simply meant to describe the events happening or the interviews conducted; it also adds additional elements to the story to create a more complete understanding. Whereas reporting and news articles often include images as supplementary material, graphic journalism uses imagery to tell the story itself. In Safe Area Goražde, Sacco often uses imagery to depict the destruction of the town of Goražde while characters on the page discuss other matters, demonstrating the damage done in the conflict without needing to always directly address it through his writing. While Sacco lives in the town and speaks with many survivors of the ethnic cleansing, he also uses the visual elements to separate his experiences from the survivors’. Sacco draws himself differently from those around him to differentiate his role in the story, drawing attention to the locals through more realistic depictions.
Sacco also uses his art to offer critical political commentary, such as when he shows President Clinton discussing the dire situation in Goražde on a golf cart while panels around him show destruction and panic. Such images depict the international community’s apathy toward the Bosnian crisis, adding a subtle layer of political critique to Sacco’s storytelling.
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