51 pages • 1 hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: The section of the guide includes discussion of child death, illness, rape, and death by suicide.
Sara Lancaster sits on a Maine beach timing her eight-year-old daughter, Alana, as Alana practices holding her breath. Sara ruminates on her experience of maternal love, which is especially complicated for Sara because of the rape that resulted in Alana’s conception. On the way home, Alana begs Sara to let her enter the Google Science Fair competition, throwing Sara into conflict. She wants to allow Alana to explore her intellect but is afraid that such a public competition could lead to Alana’s paternal family discovering her existence. Sara distracts Alana with a trip to McDonald’s, but on consideration, she decides to allow Alana to enter the contest. On the drive home, Sara gets a call from her father’s phone number, but it’s her father’s girlfriend, Sylvia. Sylvia tells Sara that Hosea, Sara’s father, has had a heart attack and is going into surgery. Sylvia insists that Sara come to Savannah, Georgia, and Sara agrees.
Jacob Wyler, the identical twin brother of Sara’s rapist, Daniel, works to start his boat to get to the island cabin he’s rehabilitating on his own. He inherited the island after his father, Tom, died by suicide following Daniel’s crime. Jacob is an extremely intelligent astrophysicist who has returned home to Savannah to repair his relationship with his mother and brother. He eventually gets the boat started and drives to the island after a chat with his friend Locke about life on the islands off the coast of Savannah. His mother, Birdie, pays him a surprise visit to talk to him about Daniel. Jacob resists, and when Birdie’s accusation that Daniel being in prison is Jacob’s fault doesn’t work, she tells him that Daniel is dying of cancer.
When Sara and Alana arrive at the hospital, Sylvia tells Sara that Hosea has been diagnosed with a brain aneurysm, not a heart attack. Sara is both furious and terrified when she learns that her father likely has only a few months to live. Sylvia tells her about all the work that Hosea has done renovating his bookstore with limited help—a couple of part-time employees and a friend, Jacob. She talks to her father, who speaks to her in his own language—quoted poetry. She begs him to explain why he didn’t tell her earlier using just his own words, but he continues speaking in poems. Sara brings in Alana and processes her hurt and worry as she watches her daughter and father together.
Jacob visits Daniel at the prison. Daniel has dedicated himself to Christianity while in prison and spearheads projects to help inmates further their education and gardening projects to benefit the environment. Jacob knows that Daniel’s efforts are all attempts at redemption, but Jacob regards them as futile attempts—his rape of Sara is always going to overshadow any positive accomplishments. Jacob is struck by Daniel’s pallor and low weight and can see the effect of the cancer. They talk about Daniel’s life in the prison and whether Daniel regrets what he did—whether he’s willing to admit that he did, in fact, rape Sara. Jacob struggles with the possibility of forgiving his brother. They share memories of the past until Jacob leaves, saying that he’ll come back soon.
Sara and Alana unpack and settle into Hosea’s house, Sara’s childhood home. Sara dwells on her sadness and the loss that is looming as she watches her father and daughter bond and get to know one another better. While Hosea recites C. S. Lewis’s “Jabberwocky” to Alana, Sara goes to the store to pick up ingredients for a family tradition: pizza night. While at the store, she runs into a friend from high school. After they exchange pleasantries, the woman hurls a veiled accusation that Sara lied about being raped. Sara stands her ground and pushes back at the accusation, but she is left feeling that the rape will be the only defining factor for her in Savannah.
When she gets home, she sits with Sylvia, who suggests that Alana join the educational summer camp that Sylvia runs to make friends and get comfortable in Savannah. Sara is noncommittal, worried again that the Wylers will discover Alana’s identity. Sara confronts Sylvia about keeping Hosea’s condition a secret, and Sylvia apologizes. Sara finds it easy to forgive when Sylvia demonstrates sympathy and comfort. They argue, however, about whether Sara will stay in Savannah or hurry back to Maine. Sylvia tries to convince Sara that Savannah is safe—the Wylers’ power and influence has waned over time, and no one really talks about Daniel or Birdie anymore. Sylvia also confronts Sara about Alana’s well-being, especially socially, and argues that Sara cannot hide her away forever.
Jacob goes to the doctor and has tests done to make sure that he can donate his bone marrow to Daniel. He thinks of Naomi, his sister, remembering the day she died in a car accident after being hit by a drunk driver and the grief and shock that followed. After the doctor, he goes to the science center that he remembers visiting as a child. He thinks of the visitation he had from Naomi in Alaska that drove him back to Savannah. He walked with her in the snow and told her about everything that had happened to their family in the wake of her death. She pointed south and only said one word: “Sarah.”
In the science center, Alana is visiting Sylvia’s summer camp. She approaches Jacob as he looks at the mathematics exhibit and explains that the exhibit is wrong. Jacob is struck by how much she looks and even behaves like Naomi. He begins to explain that it’s correct, but she shows him her notebook where she’s written the correct equation; her intelligence surprises him. She tells him that her watch broke, so he gives her his watch and asks to fix hers. They exchange names and watches, and she rejoins the children at the camp. He watches her in dismay, questions flooding his mind.
Harris organizes the novel with alternating chapters, which continue throughout the novel. The novel is in first-person point of view, shifting back and forth between Sara’s and Jacob’s voices. The first and last chapters are in Sara’s voice, which reinforces Sara as the primary protagonist of the novel. Alternative first-person points of view slowly reveal the characters’ histories and the internal experiences of each protagonist. Telling the story in two voices from two different sets of eyes encourages the reader to consider events from more than one perspective. Another element of the alternative point of view is that Sara and Jacob validate one another’s experiences, and the alternating perspective avoids the potential of an unreliable first-person narrator. At the beginning of the novel, Harris keeps Sara and Jacob separate, though they both know Alana. This offers a dual perspective on her characterization.
The exposition of the novel’s opening introduces all the characters as well as the motifs and themes that the novel will explore throughout. By the end of the sixth chapter, Harris has fully introduced both families and sketched out their primary backstories. Harris has explained or hinted at the main relationships, except for Sara and Jacob. Hosea’s illness is the precipitating event that brings Sara to Savannah, which results in introducing the poetry motif. Sara’s identity is tied to poetry, as is her relationship with her father and daughter. Poetry is a cornerstone of the Lancaster family connection. The counterpoint to the poetry of lived experience between Sara, Hosea, and Alana is Alana’s fascination and talent with math. Math and poetry share a symbolic function in that they are both representations of otherwise indescribable or abstract objects and concepts. When Sara says that Alana’s “intelligence affords her the ability to decipher [Hosea’s] poetry” (50), she ties the abstract thinking of Alana’s mathematical acumen to Hosea’s symbolic language. Alana’s math represents the combination of the Lancasters’ poetry and the Wylers’ science. Jacob, Daniel, and Birdie are all adept scientists, but only Jacob looks to poetry to attempt to make sense of his emotional experiences. Jacob and Alana are, therefore, connected by their ability to see beyond apparent boundaries of symbolism and thought. The first chapter also introduces Alana’s obsession with time and her propensity for breaking watches, establishing the time motif. Jacob’s conversation with Daniel introduces the aurora borealis symbol with a dual perspective given Daniel’s commentary on Jacob’s history with the aurora.
In introducing the Wyler and Lancaster families, Harris establishes The Shifting Definition of Family by including all the problematic elements related to Daniel’s crime, Naomi’s and Tom’s deaths, Hosea’s aneurysm, and the gulf of space and intimacy between Sara and her parents. Harris also thematically introduces The Impact of Sexual Violence in Sara’s encounter in the grocery store and Jacob’s emotional struggles with his brother. Further, she introduces The Complex Nature of Forgiveness both in Sara’s choice to forgive Sylvia and Hosea for keeping the aneurysm secret and in Jacob’s conversation with Daniel in the prison. Introducing all the fundamental elements of the plot and theme in the first few chapters allows Harris to explore complexities and subtleties in the remaining sections of the novel.
Plus, gain access to 9,100+ more expert-written Study Guides.
Including features: