96 pages 3 hours read

Money Hungry

Fiction | Novel | Middle Grade | Published in 2001

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Symbols & Motifs

Money

Money is perhaps the most prominent symbol in Money Hungry. Money represents different things for different characters depending on their proximity to money, their ability to acquire it, and what they choose to spend it on. For Raspberry, money is a symbol of safety and freedom. Raspberry’s views on money can be best summarized in this quote: “If you got money, people can’t take stuff from you—not your house, or your ride, not your family” (21). Raspberry explains here that money insulates from hardship and harm. Both objects and people are protected and safe when one has money. Raspberry is forced to reckon with her relationship to money throughout the text and ultimately concludes that while money can certainly give one an advantage in life, it is ultimately fleeting: “I think how hard I worked to get my money, and how fast it was gone” (164). Raspberry does not cease to be interested in money at the end of the text, but she understands that no amount of money can prevent bad things from happening in life, such as the robbery that she and Momma experience.

For Momma, money is a symbol of upward mobility and a new life. She works multiple jobs to make enough money to improve her and Raspberry’s quality of life. Momma works multiple jobs, enrolls in college classes, and seeks out better housing for her and Raspberry. Despite Raspberry’s preoccupation with money, her response to this is that “all her working is only gonna get us a bigger place for me to be by myself in” (73). To Raspberry, Momma’s pursuit of money and upward mobility comes at the cost of her and Momma being able to spend time together.

As such, money becomes a wedge of contention between them that reaches its climax when Momma throws Raspberry’s money out the window. Momma, believing that Raspberry has stolen money from Ja’nae’s grandfather, sees the toll that money has taken on Raspberry. In her decision to throw out Raspberry’s money, Momma illustrates her conviction that money is not more important than her morals: “I would rather throw it all away, than for you to think it’s okay to steal” (113). Momma views money as necessary to acquire to better their situation, but its importance is subsumed by her desire for Raspberry to have values and morals that are untainted by the pursuit of money.

Raspberry’s friends have different relationships with money. Zora views money as a status symbol and access to material goods. Because her father is a doctor, she has easy access to money, even though her parents are divorced, leaving her “broke half the time” when with her mother (10). She takes part in Raspberry’s jobs not because she needs money to survive, but because her parents make her split the cost of a new pair of sneakers or jeans. For Ja’nae, money is a symbol of love and an opportunity to reconnect with her mother. She steals money from her grandfather to pay her estranged mother’s ticket from California. Ja’nae views money as the way to convince her mother to come back and convince her that Ja’nae is worthy of love. This view has painful consequences for Ja’nae. Almost as soon as her mother reappears in her life, she is gone again, saying that “there’s too much drama here” (166)—the drama being that Ja’nae’s mother gave up parental rights when she abandoned Ja’nae as a baby.

The Blue Room with Stars on the Ceiling

The blue room with stars on the ceiling is a motif in Money Hungry and stands for Momma and Raspberry’s shared vision for a better life. It is first evoked at the beginning of the story. Raspberry recalls living in the van found in the junkyard. Momma, ever the optimistic dreamer, envisions the interior of their future home. She asks Raspberry: “What color room you want? Yeah, I figured you’d want blue […] and a few stars, so we don’t forget that even bad times is sprinkled with a little good” (20). Even in this moment of hardship, Momma shows Raspberry the power of having a vision for a better life. This lesson does not sink in for Raspberry until she loses all of her money and most of their possessions in the robbery. Instead of allowing this “bad time” to swallow her, Raspberry instead looks for the “stars on the ceiling” --the fact that she and Momma are still together, and that “No matter what, I still got her” (164).

The blue room with stars on the ceiling has not yet materialized by the end of the text, but Raspberry and Momma, having begun to rebuild their life after the robbery, are closer than ever to achieving their dreams. Raspberry and Momma have learned that they will be able to move into Pecan Landings after all, and they begin planning their future once more. Their once-lofty dreams now becoming reality, Momma once more asks Raspberry: “‘What color room do you want?’ she asks. ‘Blue,’ I tell her. ‘With stars on the ceiling’” (168). Raspberry has not forgotten this dream and, through her experiences, has become better poised to see the hope that remains even in challenging situations.

Raspberry’s Dream

Raspberry has a recurring dream in which she and Momma are back on the streets. The dream occurs in moments when Raspberry feels increasingly stressed about money. In the dream, she is often told that no matter how much money she makes, it will never be enough to keep her and Momma safe and off the streets. This dream mirrors Raspberry’s lived experiences and is symbolic of the trauma that continues to haunt both her conscious and her subconscious minds. In her waking hours, her fear of being back on the street manifests in her relentless pursuit of money.

Raspberry has the dream again when she and Momma break into the house in Pecan Landings after the robbery. She describes dreaming “that same old dream. I’m too tired to wake myself up. So I push the cart. All night long, I push the cart” (141). The repetitive motion of pushing the cart illustrates the monotony inherent in the struggle to survive. Every action, while they are living on the street, is to make it moment to moment, leaving no room for dreaming beyond. Even though they are no longer on the streets, Raspberry feels trapped in a cycle of anxiety.

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