46 pages 1 hour read

Jonny Appleseed

Fiction | Novel | Adult | Published in 2018

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Chapters 1-8Chapter Summaries & Analyses

Chapter 1 Summary

CONTENT NOTE: Mention of childhood sexual assault (non-graphic)

The first-person narrator, Jonny, figures out he is gay from watching Queer as Folk on his kokum’s (grandmother’s) TV as a kid. He masturbates to images of the characters. He is Indigenous and “a brown gay boy on the rez” (12) on the land of the Peguis First Nation in Canada. His experience is not one he sees reflected in the public experiences of older, out gay men, who are largely white and come from class privilege.

Jonny’s father struggled with substance use and is absent from his life; he is presumed to have died after a fire on another reservation. Jonny dislikes his name because of this association (he is named after his father), so he often names himself after vacuum cleaner brands instead. When he researches the legend around Jonny Appleseed at the reservation library, he is confused about why that particular legend was sung about at his summer camp.

At school, Jonny is bullied for being gay. At summer camp, Jonny is preyed upon and molested by a camp counselor, but he is blamed for the incident by the other campers.

Beginning as an adolescent, Jonny does phone and text sex work for money. He narrates the chapter from the point-of-view of an adult looking back on his childhood. His stepfather calls him an apple in a derogatory way to mean that he's red on the outside and white on the inside (16).

Chapter 2 Summary

Jonny recalls an anecdote from childhood. At 11, his cousins gave him rum at a family gathering. Jonny got sick and threw up in his grandmother’s old toilet. When his vomit wouldn’t flush, he panicked and scooped it into the toilet tank.

In Winnipeg, where Jonny moves when he leaves the reservation, gay men find each other for casual sex and dating on the apps Grindr and Rez Fox. On Grindr, men often fetishize Jonny because of his Indigenous/NDN racial and ethnic background. Jonny finds the practice of gay men classifying themselves as animals humorous, especially given the religious significance accorded in his community to communication with animals. The “bear” classification reminds Jonny of the 19th-century Cree leader Big Bear.

Jonny remembers the first time he had casual sex with a white boy who came to a party on the reservation. The boy looks out of place—too formal in a tie and jacket—and he drinks red wine while the others drink beer. Jonny chats with him and they cruise each other. Despite his nervousness, Jonny follows the boy out of the main party room and into the basement laundry room. Jonny performs oral sex on the boy. The narrator describes the scene with ceremonial imagery.

Chapter 3 Summary

Chapter 3 is a brief, lyrical vignette where Jonny is homesick for life on the reservation. He claims that "two brown boys can't fall in love on the rez" (27) and compares home to a dandelion.

Chapter 4 Summary

Chapter 4 is another brief, lyrical vignette, this time about Smiling Steven, a man on the reservation who sat at the entrance and waved at everyone coming in. Smiling Steven is gone. The narrator directly addresses the reader and wonders whether the reader is still listening.

Chapter 5 Summary

Jonny establishes a morning routine in Winnipeg: smoking, coffee, breakfast. Overcast weather makes him feel homesick. As he smokes, he spends time with a pigeon who roosts on his fire escape. Jonny sees the pigeon as a kindred queer spirit.

A man on the dating app Grindr messages Jonny for sex. As a sex worker, Jonny makes money messaging, camming, and occasionally meeting up in-person with clients. He considers whether this particular client will be worth the money. Most of the time, he profits off of clients' fantasies of Indigenous men; he dresses up in costume as members of other Indigenous tribes. For this client, he dresses up as Catwoman; the client dislikes this and wants him to dress up as an Indigenous stereotype.

Chapter 6 Summary

As a child, Jonny goes camping with the family of his friend, Tias. They swim out into a lake for hours, until they're exhausted. When they come back to shore, Tias tells Jonny about his sister, who was kidnapped. Jonny makes a joke about the kidnapping, so Tias punches him. When they return to the campsite, Tias’s parents are worried at their long absence. They punish the boys by sending them to bed without supper. Jonny realizes he loves Tias.

Chapter 7 Summary

Jonny finishes with his client from Chapter 5 and begins an extended meditation on ingenious Indigenous bartering systems for goods from Wal-Mart. As an adult, Tias has sex with Jonny, though Tias does not describe himself as gay. At the very end of the chapter, almost as an aside, Jonny narrates that his stepdad has just died.

Chapter 8 Summary

Jonny describes one of his recurring dreams, of an apocalyptic ocean where dead animals are left by the tide. A giant bird picks him up with its claws, but not high enough—they will both soon be carried away by a giant wave. Jonny climbs onto the bird’s back and soothes it. They make it through the wave and find on the other side several figures from Cree culture: “the Fur Queen and Whiskey Jack waving us home” (47) as well as a thunderbird and Nanabush (trickster spirit).

Chapters 1-8 Analysis

These chapter introduce the reader to all of the major themes present throughout Jonny Appleseed. The immediacy of the first-person voice, and in particular of this narrative voice (Jonny’s narrative voice) create urgency and tension throughout the plotting, even in cases where the narrative itself might otherwise feel disjointed due to sudden, big shifts in time and space. The protagonist, Jonny, uses an idiosyncratic and specific diction that sets his voice apart from the voices of other characters in the book.

Jonny’s discussion of the legend of Jonny Appleseed negotiates the divide between the overwhelming whiteness of the legend and how mythmaking operates in his own Cree culture. The summer camp where he realizes he is gay is also the summer camp where he first learns about Jonny Appleseed. Throughout these chapters, Jonny struggles with how his intersectional relationships between being gay, Two-Spirit, and Cree all inform one another. He moves away from home—away from the reservation—because it not only feels impossible to have a full queer and Two-Spirit life there, but because extended family members threaten him with physical violence for his presence in his own home.

Yet despite this complicated relationship with both the various aspects of his own identity and with the place he calls home, his worldview is deeply underpinned and informed by Cree culture, language, and cosmogony. His dreams are spiritually important to him and to others in his family; in them, he sees figures from the Cree pantheon.

Operating at the intersection of LGBTQ+ identity and Indigenous identity, the character of Jonny curves both toward each other. He and others struggle with their interrelationship: he feels unwelcome on the rez, but Tias feels like he doesn’t count as gay despite regularly having a romantic and sexual relationship with Jonny since they were teenagers.

The gay “bear” identity, which usually indicates a large, hairy man, reminds him of the Cree historical figure Big Bear. He discusses the dynamic between using his identity to make more money off of clients while also seeing the culturally specific Two-Spirit aspect of his identity as integral to his conception of self. Jonny sees his own lovemaking as a religious and spiritual experience. The physicality of his body and the bodies of others he sleeps with, including Tias, work in relationship to the earth. The way he describes sex, especially in Chapter 8, seems more like a natural process akin to a tide or change of seasons rather than an unearthly or religious process.

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