56 pages • 1 hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In the heart of Inkling, the Rylance family grapples with the aftermath of Olivia’s passing, exploring the many ways they cope with grief. Olivia’s significant role in the household leaves a void that each character addresses uniquely. The narrative underscores that there is no one-size-fits-all approach to grieving; instead, individuals navigate this complex emotion in their own time and manner.
Even two years after Olivia’s passing, Peter, Ethan, and Sarah grapple with grief in distinct manners. With her youth and Down syndrome, Sarah appears the most adept at handling her emotions. Understanding her mother’s death took time, and Peter and Ethan had to explain Olivia’s death repeatedly over a period of weeks. Although Sarah eventually ceased asking about Olivia, she erupted into uncontrollable sobs one night. Sarah’s emotional maturity lies in her acceptance and acknowledgment of her feelings: a resilience that both Peter and Ethan struggle to imitate. Sarah is also the only one of the family to openly discuss Olivia, echoing her mother’s words and finding comfort in toys that Olivia once gave her. Even when faced with Inkling’s abduction, Sarah’s emotional outburst is followed by marked resilience, and her openness serves as a beacon of strength.
Ethan, like Sarah, manages to carry on with his daily responsibilities amidst his internal grief. He attends school, fulfills his household chores, and looks after Sarah. However, unlike his sister, Ethan copes by suppressing his emotions, which leads to heightened anxiety, frustration, and resentment. This emotional repression results in unexpected waves of grief, such as when Sarah echoes his mother’s farewell, causing “a hard squeeze in his throat” (13). Likewise, Ethan confesses that, “without mom the house still felt emptier. […] Some mornings […] he had that same terrible feeling he’d had right after she died” (105). The recurring nature of this overwhelming emotion implies that Ethan has yet to process his grief. Instead, he is ignoring it because he feels responsible for keeping the family together.
Inkling becomes a crucial supporter in Ethan’s journey to process his grief. Because Peter’s struggles push Ethan into a secondary parental role, he finds it a challenge to trust others. Inkling’s assistance builds Ethan’s trust and enables the boy to open up about his fears, his concerns, and his profound sense of loss. Sharing these emotions with Inkling and later with Soren proves therapeutic for Ethan, and recognizing Inkling’s reliability fosters Ethan’s broader willingness to trust others and seek support, propelling him from mere survival to a thriving state.
While Ethan and Sarah navigate life despite their grief, Peter faces a different struggle. Olivia’s death leaves Peter unable to write, struggling with childcare, and possibly relying on alcohol to induce sleep. Peter’s grief evolves into a deep depression that is further exacerbated by his secret guilt over being absent at the moment of Olivia’s death. Peter’s refusal to seek help and his insistence on projecting a mask of stability isolates the family from any external supports that might otherwise be available to them. Moreover, this behavioral pattern teaches Ethan that expressing emotions or seeking assistance is unacceptable.
Peter’s grief forms a relentless cycle as it intertwines with his guilt over Olivia’s death and plunges him into a state of depression. The weight of this emotional burden renders him incapable of working, and his persistent writer’s block compounds his feelings of uselessness. Grumpiness and impatience surface in his interactions with his children, intensifying his guilt and further deepening the spiral of depression. Stuck in this cycle, Peter’s journey toward healing initially seems unattainable, but fortunately, Inkling becomes a motivation for change. Taking over some of Peter’s responsibilities, Inkling alleviates Peter’s burden of feeling useless, thereby enabling the artist to reconnect with his emotions and his family.
Peter’s breakthrough in grief comes with the release of his guilt surrounding Olivia’s death. Constantly plagued by anger and worry during Olivia’s illness, Peter feared Olivia thought his anger was directed at her. Olivia’s note is a revelation, offering understanding and absolving Peter of this guilt. This newfound clarity prompts Peter to confess his conflicting emotions to Ethan, unburdening himself. Like Ethan, Peter experiences heightened functionality after acknowledging and processing his emotions. After unburdening himself of this guilt, Peter initiates a new project and transforms into a more active parent.With this character’s development, Oppel illustrates the larger message that embracing and communicating emotions rather than repressing them is an essential part of the process of grieving. Each character’s unique journey accentuates the narrative’s central theme: the healing power of acknowledging and navigating the complexities of loss.
Art and creativity represent a collective force that unites people, channels grief and emotions, and assists communication. The very existence of Inkling suggests that art has the innate ability to take on a life of its own and transcend the original intentions of its creator. Once a work of art is let loose in the world, its path and development are unpredictable, and Inkling’s many antics personify this abstract yet widely acknowledged phenomenon. As the narrative unfolds, the characters explore the powerful influence of art and creativity in diverse ways, for the very concept of a sentient ink blotch implies that art is a powerful form of communication. When Inkling first appears, his first method of communication is through drawings. After gaining the ability to use words, Inkling continues relying on drawings to convey complex ideas, like the hospital bed that haunts Peter’s dreams. The illustrations throughout the story therefore become an essential communication tool that enhances the descriptions of the narrative and conveys complex emotions. For example, although Oppel never describes how Inkling moves throughout the house, the illustrator shows it. Likewise, the illustration of Peter at his drafting table conveys his frustration far better than the verbal description. The illustrations also show Ethan’s halting progress as an artist. Thus, Oppel’s narrative transcends mere words to take on a more visually striking artistic form, which likewise emphasizes the importance of art as a communicative tool.
Within the context of the story, art becomes a vital outlet for emotions, particularly grief. For Ethan, engaging in art becomes a meditative sanctuary, a rest from his overwhelming yet unexpressed emotions. Peter also finds solace in his artistic process, which is why he finds his two-year stretch of writer’s block to be particularly devastating. Significantly, Peter regains his ability to be a functional parent only when he manages to get some art onto a page. However, Inkling’s help still leaves Peter “distracted […] like his thoughts were elsewhere” (155). At the end of the novel, when Peter finally creates “something truly new“ (254), he finally returns to himself (254). With this character’s progression, Oppel implies that art created simply for profit or completion loses its therapeutic effect. Instead, only original art allows artists to express their deepest and most authentic emotions.
However, the ultimate power of art in Inkling lies in its ability to unify people. Symbolized by Ethan’s decision to introduce Inkling to Soren, art allows Ethan to be honest with his friend, thereby deepening their relationship. Art also opens the door for both friends to be honest with each other and to understand each other’s perspective when they disagree about Inkling’s use and subsequently reconcile. Even more importantly, art has the power to transform enemies into friends; this is most aptly demonstrated when Vika and Ethan’s relationship eventually shifts from an adversarial one to a friendlier one as both children try to protect Inkling. Most profoundly of all, however, art prompts transformative conversations between Ethan and Peter. Ethan’s attempts to protect art, symbolized by Inkling, lead him to confront his father for the first time. While this confrontation temporarily worsens their relationship, both characters benefit by being honest and communicating with each other. Talking about their art helps both father and son to mend the rift that has grown between them. Ethan and Peter both struggle to communicate with words, but their art allows them to truly understand and appreciate each other.
Family conflicts in Inkling run deep, and this issue is demonstrated in different ways within both the Rylance and Worthington families. Of the two families, the Worthington family is initially portrayed as having more stable dynamics, but the Worthingtons still have some notable issues, for although Karl is supportive of Vika and her endeavors to become an artist, he also allows his financial concerns to compromise his personal ethics. For example, when Vika tries to help with the family’s money troubles, Karl tries to reassure her by saying, “You don’t need to worry about any of this. The company is going to be fine” (173). Vika immediately corrects him on this lie, and her objection exposes a communication problem, for although Karl is right to reassure his daughter, ignoring her concerns completely is a poor communication choice. Vika wants honesty, but Karl avoids the family’s underlying issues by trying to reassure her with lies.
Karl’s own deeper issues come to light when Blotter arrives, for as his greed compels him to treat Inkling badly and corrupt Blotter with violent comics, his endeavors bring him into direct conflict with his daughter. When Vika questions Karl, he dismisses her, saying, “[Inkling] won’t die. Let him get good and hungry. In my experience the hungrier an artist is, the more creative and productive he gets” (214). Karl’s interactions with Inkling and Vika expose a key problem in his relationship with his daughter, for Karl only listens to Vika when it aligns with what he already wants to do. In this moment, Vika realizes that her father does not truly respect her, so she helps Ethan. The end of Inkling also hints at an unresolved communication problem between Vika and her father.
In a sharp contrast to the Worthingtons’ intensifying family issues, the Rylance family showcases gradual improvement in communication. The first family interaction in the story is a mess of miscommunication. Ethan shouts for help when he sees what he thinks is a tarantula. Sarah comes in, ignores his pleas, and asks for ice cream. Peter arrives, half awake, briefly looks around, then takes Sarah for ice cream. This entire interaction is a microcosm of the deeper problems haunting the Rylance family, for while initial miscommunication sets the chaotic tone, each family member’s preoccupation with personal problems prevents them from connecting with anyone else. Burdened with unfair responsibilities, Ethan struggles to voice his needs, and Peter’s depression impedes honest communication. Even when Ethan needs help, he has to plan how and when to ask Peter. When Peter seems overly grumpy, Ethan gives up on asking for help. Ethan spends his days tiptoeing around his father’s emotions, “worried that his father was getting impatient, and worried even more that his father was disappointed” (22). However, while all these complicated emotions roil Ethan, he does not say anything.
Likewise, Peter struggles under the weight of depression but continually states that “everything’s okay” (138). Like Vika and Karl, Peter dismisses Ethan’s concerns on the rare occasion when Ethan finds the courage to voice them. While Peter’s grief and depression understandably prevent him from interacting with his family, the fact remains that he puts too much pressure on Ethan. Even when Ethan complains, “I don’t think I’m ready for this,” Peter tells him, “It’s not a big deal” (103). Not only does Peter struggle to acknowledge his own challenges, but he refuses to listen when others voice theirs. This lack of communication fosters resentment and frustration across the entire family.
Ethan finally breaks this cycle when he confronts Peter over his treatment of Inkling. Even though Ethan will not stand up for himself, he is resolute in his goal of protecting others. By breaking this first barrier and confronting his father, Ethan becomes more comfortable with voicing his concerns. Likewise, he begins to take matters into his own hands, like taking Inkling to school and rescuing Inkling from Prometheus Comix, despite knowing that these actions will earn Peter’s disapproval. Eventually, with the help of Inkling and Olivia’s note, Peter finally expresses years of pent-up emotions to Ethan. His confession fosters a deeper understanding between Ethan and Peter, and both characters become more honest. While the relationship is not perfect by the story’s conclusion, the Rylance family experiences newfound stability through honest communication. While there is no perfect family, Oppel implies that functional families work as a team. However, working together is only possible with active listening, respect, and honest communication. At some point, every member of the Rylance and Worthington families must struggle with at least one of these challenges. In the journey of the Rylance family, the story emphasizes the importance of improving communication to create a healthier, more functional family dynamic.
Plus, gain access to 9,100+ more expert-written Study Guides.
Including features:
By Kenneth Oppel
Art
View Collection
Books About Art
View Collection
Brothers & Sisters
View Collection
Canadian Literature
View Collection
Family
View Collection
Fathers
View Collection
Grief
View Collection
Juvenile Literature
View Collection
Laugh-out-Loud Books
View Collection
Magical Realism
View Collection
The Best of "Best Book" Lists
View Collection