62 pages • 2 hours read
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Content Warning: This section discusses death and racism.
The Water Logbook describes how all the seas in the world have risen and dominate the surface of the world.
On the canoe outside the AMNH, the group realizes that they can’t wait for the water to drop. Staying in one place might make them more vulnerable to attack from “the Lost,” or vagrants who wander the city, unattached to any settlement. The group decide to go north to Mother’s family’s farm.
They paddle across the city, but a current impedes their progress, and they’re wary of the dirty water they’re traversing. Bix is in a silent, catatonic state. They assess their supplies. Father wants to paddle past 93rd Street to see his old apartment. It’s dangerous, but he’s nostalgic. The city is in ruins, and massive piles of debris and bodies mark where the surge broke. They continue, arriving at the Hudson, which has disappeared in the flood.
In a flashback, Nonie recalls the various skills of the different members of Amen. Keller was an entomologist who helped keep their bee hives and tracked the insects he found to monitor the changes in the world. Father curated Indigenous American architecture and built many of the shelters in Amen. Jess grew up in Alaska and could track deer, while Sergio taught people how to make arrow heads from knapped flint.
They canoe down the Hudson River. As night falls, they spot lights in a building. It’s the Cloisters, a settlement known to take in travelers.
They disembark near the Cloisters, hide the boat, and approach. Keller hangs back, wary that his race may lead to his rejection (or worse).
In a flashback, Nonie recalls asking her mother about fossil preservation efforts as the climate crisis intensified. Shipping fossils out became increasingly difficult as infrastructure collapsed, so they took preservation into their own hands. Nonie’s mother compared Amen to Leningrad again. Nonie began to protect the Logbooks in case they had to leave the AMNH.
Douglas gives them a tour of The Cloisters. He shares that the illness killed all their children. In addition, he condemns the Amen community for turning travelers away. They receive food, water, a bath, and a place to sleep.
Nonie reflects on the women of Amen and how they influenced her: Jess, who had medical experience, and Angel, Keller’s partner. Together, they established a pharmacy, shelter, and classroom in Amen. Jess in particular helped organize their medicinal supplies, especially their antibiotics.
The next morning, the group packs to leave, and Douglas shows them the Cloister’s scriptorium before they go. It’s a large, electrically lit room where they record the stories of travelers who pass through.
Nonie, Bix, Keller, and Father realize that they can’t go back. The water level has permanently risen, flooding the AMNH. In addition, if they linger too long nearby, they may become the target of other survivors who would covet their boat. They’re low on supplies, including fresh water. This shows how water plays a complex role in the story, as both the need for it and the danger of it impacts every aspect of All the Water in the World. Though humans are largely responsible for the climate disaster, water remains an inherently dual-sided entity. Nonie respects the strength and importance of water, which is why she’s so well-suited to the environment. Nonetheless, all the things her community tried so hard to protect are washed away in one evening, along with many of the people who lived there. In a flashback, Nonie reflects on how many of the community members were intellectuals or researchers before the collapse of society. To her, there’s no delineation between who they are as a person and the knowledge they hold. Their expertise is part of what they bring to the world and to her life. Nonie recalls her mother’s hand in the preservation efforts. In caring for the Logbook and writing her own Logbook, Nonie is continuing the work that her mother started, which is deeply important to her emotionally.
They spot a building with lights during their travels, a community known as the Cloisters, and Keller is nervous about approaching. Xenophobia and white supremacy continue to run rampant in the existing settlements, and as a Black man, he worries that approaching the Cloisters may put him in danger. Nonetheless, they need aid and decide to visit. Through this plot development, the novel introduces that Amen purposefully never accepted travelers, and some other settlements judge them for it. This further emphasizes how the AMNH used its privilege as a cultural intuition to exclude those less privileged, an assertion that is at times made about arts and culture organizations in the modern day, thus introducing the social aspect of The Social and Emotional Impacts of Climate Change as a theme: While the crisis caused some people to reach out and provide aid, it caused others to isolate themselves in fear and keep their resources to themselves. Amen prioritizes history over living people, and at the Cloisters, they’re shown the scriptorium, which emphasizes that contrast. Rather than history from “The World As It Was,” the scriptorium’s concern is the stories of people living in “The World As It Is.” Amen’s emotional response to the changed world was to hide from it, looking back toward “The World As It Was,” while the Cloisters take people in, keeping a record of their experiences and helping them persist in the current world.
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